Doin what you say you're gonna do
Doin what you say you're gonna do

2019, acrylic paint, watercolour pencil, cottonduck, 204 x 131 cms (unstretched)

Gutted (Installation view)
Gutted (Installation view)

2019, Darren Knight Gallery, Sydney.

Stacks On
Stacks On

2017-18, MCA Sydney, installation view, lightboxes, screenprinted banners, wall painting.

Undressing in public prohibited
Undressing in public prohibited

2019, acrylic paint, watercolour pencil, cottonduck, 208 x 140cms unstretched.

Shepparton Art Museum, Drawing Wall #28, YEAH
Shepparton Art Museum, Drawing Wall #28, YEAH

2017, acrylic paint, 4m x 12m.

Are you fucking kidding me
Are you fucking kidding me

2012, enamel and acrylic paint, cottonduck, 102 x 61.5 cms.

DUNNO (T.Towels)
DUNNO (T.Towels)

2012, mixed media on found T.Towels, 85 pieces, 320 x 1160 cms.

It's Not My Problem
It's Not My Problem

2016, enamel paint, plywood, 90 x 90 cms.

Snot block
Snot block

2018, acrylic paint, cottonduck, 100 x 140 cms. City of Greater Dandenong lightbox commission.

Sing what you feel
Sing what you feel

2018, neon, perspex, 3m x 3m. Art Centre Melbourne, Contemporary Art Projects commission.

Just Not Australian
Just Not Australian

2019, Artspace Sydney, installation view.

Fuck Yeah
Fuck Yeah

2017, neon, enamel paint, plywood 60 x 60 x 10 cms. Ed. 2. Photo: Simon Hewson

Stacks On
Stacks On

2017-18, MCA Sydney, installation view, lightboxes, screenprinted banners, wall painting.

Naked Queen Loses Her Head
Naked Queen Loses Her Head

2016, watercolour, pencil, quache, 42 x 30 cms (as part of the series 'liz & phil revisited')

Same Old Bullshit
Same Old Bullshit

2017, installation view. Darren Knight Gallery. Photo: Simon Hewson

Its a world full of lying bastards
Its a world full of lying bastards

2017, enamel paint, plywood, 28 piece installation. Variable, 250 x 450 cms. Photo: Simon Hewson

Charge like wounded bulls
Charge like wounded bulls

2019, acrylic paint, linen, 214 x 139 cms, (unstretched)

Installation view
Installation view

Art Basel Hong Kong, 2015, with Darren Knight Gallery.

Stacks On
Stacks On

2017-18, MCA Sydney, installation view, lightboxes, screenprinted banners, wall painting. Photo: Anna Kucera

Afternoon Delight
Afternoon Delight

2017, installation view. Ilam Campus Gallery, University of Canterbury Christchurch, NZ.

Same Old Bullshit
Same Old Bullshit

2017, installation view. Darren Knight Gallery. Photo: Simon Hewson

What The Fuck
What The Fuck

2014, enamel paint on cottonduck, 90 x 150 cms.

Queen Beatrix of the Netherlands raises the ‘yeah’ flag as part of the exhibition, DeOverkant Downunder.
Queen Beatrix of the Netherlands raises the ‘yeah’ flag as part of the exhibition, DeOverkant Downunder.

Den Hague Sculptuur, 2007, The Hague, The Netherlands.

Installation, band setlists
Installation, band setlists

Lincoln Hotel Melbourne, 2009.

Absolutely Disgusting
Absolutely Disgusting

2016, enamel paint, cotton duck, 3 panels, 160 X 160 cms each; 160 x 480 cms overall.

The Good Old Days
The Good Old Days

2016, neon, enamel paint, plywood, 90 x 90 x 15 cms.

Personality
Personality

2015, enamel paint, cottonduck, 200 x 240 cms.

Piss Farting Around
Piss Farting Around

2015, enamel paint, cottonduck, 180 x 240 cms.

Fuck Yeah (Matisse)
Fuck Yeah (Matisse)

2015, enamel and acrylic paint, cottonduck, 41 x 56 cms.

Fuck Yeah (Greene Street)
Fuck Yeah (Greene Street)

2015, acrylic wall painting, masking tape, mixed media, individual drawings from 1991 and 2015, 264 x 411 cms.

The Weight of Manhattan
The Weight of Manhattan

1991, acrylic paint, collage, cottonduck, 183 x 213 cms.

Backyard installation
Backyard installation

2012, as part of the Just Sing What You Feel project, National Gallery of Victoria, vinyl wall painting, vinyl wall magnets, dimensions variable.

Kebabs (neon)
Kebabs (neon)

2006, neon, enamel paint, Perspex, mdf board, 40 x 60 cms.

Just Sing What You Feel (neon)
Just Sing What You Feel (neon)

2013, neon, enamel paint, mdf board, 52 x 438 cms.

$23,000,00
$23,000,00

Installation view, 2008, Uplands Gallery, Melbourne.

Fuck Yeah
Fuck Yeah

2016, cotton and polycotton, hand stitched banner, 175 x 95 cms.

Dream Team
Dream Team

2012, Basil Sellers prize, Ian potter Museum, University of Melbourne, enamel paint, plywood, 22 pieces, 300 x 300 cms.

Sad Times
Sad Times

2013 enamel paint, plywood, 50 x 60 cms.

Insufficient Funds
Insufficient Funds

2009, acrylic paint, light box, as part of the exhibition Cock and Bull, VCA Margaret Lawrence Gallery, dimensions variable.

Setlist (Go-Betweens)
Setlist (Go-Betweens)

2006, enamel paint, cottonduck, 153 x 107 cms.

Insufficient funds
Insufficient funds

2007 enamel paint, cottonduck, 160 x 240 cms.

The Party
The Party

1986, enamel paint, cottonduck, 180 x 180 cms.

Yeah / Mr.Football
Yeah / Mr.Football

2009 screen-printed and hand stitched banner, 200 x 120 cms.

Yeah Yeah Yeah, (billboard)
Yeah Yeah Yeah, (billboard)

2008, as part of the Conversations project, Hobsons Bay City Council, Melbourne.  300 x 1200 cms.

Great Barrier Reef, poster
Great Barrier Reef, poster

Part of the Climate Poster Project, LAB-14 Gallery, Carlton Connect Initiative and on the streets of Melbourne. 2016, 111 x 84 cms.

Pure Bewdy, installation view
Pure Bewdy, installation view

2011, Darren Knight Gallery, Sydney.

Up Shit Creek
Up Shit Creek

2014, 3 colour lithograph on Magnani White Prescia 300 gm, edition 20, 56 x 76 cms.

Doin what you say you're gonna do
Gutted (Installation view)
Stacks On
Undressing in public prohibited
Shepparton Art Museum, Drawing Wall #28, YEAH
Are you fucking kidding me
DUNNO (T.Towels)
It's Not My Problem
Snot block
Sing what you feel
Just Not Australian
Fuck Yeah
Stacks On
Naked Queen Loses Her Head
Same Old Bullshit
Its a world full of lying bastards
Charge like wounded bulls
Installation view
Stacks On
Afternoon Delight
Same Old Bullshit
What The Fuck
Queen Beatrix of the Netherlands raises the ‘yeah’ flag as part of the exhibition, DeOverkant Downunder.
Installation, band setlists
Absolutely Disgusting
The Good Old Days
Personality
Piss Farting Around
Fuck Yeah (Matisse)
Fuck Yeah (Greene Street)
The Weight of Manhattan
Backyard installation
Kebabs (neon)
Just Sing What You Feel (neon)
$23,000,00
Fuck Yeah
Dream Team
Sad Times
Insufficient Funds
Setlist (Go-Betweens)
Insufficient funds
The Party
Yeah / Mr.Football
Yeah Yeah Yeah, (billboard)
Great Barrier Reef, poster
Pure Bewdy, installation view
Up Shit Creek
Doin what you say you're gonna do

2019, acrylic paint, watercolour pencil, cottonduck, 204 x 131 cms (unstretched)

Gutted (Installation view)

2019, Darren Knight Gallery, Sydney.

Stacks On

2017-18, MCA Sydney, installation view, lightboxes, screenprinted banners, wall painting.

Undressing in public prohibited

2019, acrylic paint, watercolour pencil, cottonduck, 208 x 140cms unstretched.

Shepparton Art Museum, Drawing Wall #28, YEAH

2017, acrylic paint, 4m x 12m.

Are you fucking kidding me

2012, enamel and acrylic paint, cottonduck, 102 x 61.5 cms.

DUNNO (T.Towels)

2012, mixed media on found T.Towels, 85 pieces, 320 x 1160 cms.

It's Not My Problem

2016, enamel paint, plywood, 90 x 90 cms.

Snot block

2018, acrylic paint, cottonduck, 100 x 140 cms. City of Greater Dandenong lightbox commission.

Sing what you feel

2018, neon, perspex, 3m x 3m. Art Centre Melbourne, Contemporary Art Projects commission.

Just Not Australian

2019, Artspace Sydney, installation view.

Fuck Yeah

2017, neon, enamel paint, plywood 60 x 60 x 10 cms. Ed. 2. Photo: Simon Hewson

Stacks On

2017-18, MCA Sydney, installation view, lightboxes, screenprinted banners, wall painting.

Naked Queen Loses Her Head

2016, watercolour, pencil, quache, 42 x 30 cms (as part of the series 'liz & phil revisited')

Same Old Bullshit

2017, installation view. Darren Knight Gallery. Photo: Simon Hewson

Its a world full of lying bastards

2017, enamel paint, plywood, 28 piece installation. Variable, 250 x 450 cms. Photo: Simon Hewson

Charge like wounded bulls

2019, acrylic paint, linen, 214 x 139 cms, (unstretched)

Installation view

Art Basel Hong Kong, 2015, with Darren Knight Gallery.

Stacks On

2017-18, MCA Sydney, installation view, lightboxes, screenprinted banners, wall painting. Photo: Anna Kucera

Afternoon Delight

2017, installation view. Ilam Campus Gallery, University of Canterbury Christchurch, NZ.

Same Old Bullshit

2017, installation view. Darren Knight Gallery. Photo: Simon Hewson

What The Fuck

2014, enamel paint on cottonduck, 90 x 150 cms.

Queen Beatrix of the Netherlands raises the ‘yeah’ flag as part of the exhibition, DeOverkant Downunder.

Den Hague Sculptuur, 2007, The Hague, The Netherlands.

Installation, band setlists

Lincoln Hotel Melbourne, 2009.

Absolutely Disgusting

2016, enamel paint, cotton duck, 3 panels, 160 X 160 cms each; 160 x 480 cms overall.

The Good Old Days

2016, neon, enamel paint, plywood, 90 x 90 x 15 cms.

Personality

2015, enamel paint, cottonduck, 200 x 240 cms.

Piss Farting Around

2015, enamel paint, cottonduck, 180 x 240 cms.

Fuck Yeah (Matisse)

2015, enamel and acrylic paint, cottonduck, 41 x 56 cms.

Fuck Yeah (Greene Street)

2015, acrylic wall painting, masking tape, mixed media, individual drawings from 1991 and 2015, 264 x 411 cms.

The Weight of Manhattan

1991, acrylic paint, collage, cottonduck, 183 x 213 cms.

Backyard installation

2012, as part of the Just Sing What You Feel project, National Gallery of Victoria, vinyl wall painting, vinyl wall magnets, dimensions variable.

Kebabs (neon)

2006, neon, enamel paint, Perspex, mdf board, 40 x 60 cms.

Just Sing What You Feel (neon)

2013, neon, enamel paint, mdf board, 52 x 438 cms.

$23,000,00

Installation view, 2008, Uplands Gallery, Melbourne.

Fuck Yeah

2016, cotton and polycotton, hand stitched banner, 175 x 95 cms.

Dream Team

2012, Basil Sellers prize, Ian potter Museum, University of Melbourne, enamel paint, plywood, 22 pieces, 300 x 300 cms.

Sad Times

2013 enamel paint, plywood, 50 x 60 cms.

Insufficient Funds

2009, acrylic paint, light box, as part of the exhibition Cock and Bull, VCA Margaret Lawrence Gallery, dimensions variable.

Setlist (Go-Betweens)

2006, enamel paint, cottonduck, 153 x 107 cms.

Insufficient funds

2007 enamel paint, cottonduck, 160 x 240 cms.

The Party

1986, enamel paint, cottonduck, 180 x 180 cms.

Yeah / Mr.Football

2009 screen-printed and hand stitched banner, 200 x 120 cms.

Yeah Yeah Yeah, (billboard)

2008, as part of the Conversations project, Hobsons Bay City Council, Melbourne.  300 x 1200 cms.

Great Barrier Reef, poster

Part of the Climate Poster Project, LAB-14 Gallery, Carlton Connect Initiative and on the streets of Melbourne. 2016, 111 x 84 cms.

Pure Bewdy, installation view

2011, Darren Knight Gallery, Sydney.

Up Shit Creek

2014, 3 colour lithograph on Magnani White Prescia 300 gm, edition 20, 56 x 76 cms.

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